Here are some facts either directly or loosely connected to this week’s song, “Hustle Beach“:
1. Thanks to my pal Ron Warner, this track represents my boldest step yet into the world of MIDI recording, in which you record not sounds, but rather data that you can manipulate to your heart’s content as the days go by.
2. While I like to think that the new system made the rhythm track a little tighter, I fell victim to a common syndrome of MIDI novices: I quantized everything, and as a paradoxical result, things sound probably more rickety than if I’d left them alone.
3. In other technical news, I discovered Half-Speed Recording on ProTools, which enabled me to do the entire song as a duet with a charming and attractive chipmunk.
4. I attempted a perverse merger of a laid-back genre (reggae) and setting (beach) with an extremely uptight subject (my neuroticism surrounding the notion of hard work, work ethic, etc.).
5. The lyrics represent my attempt to write more directly. Every line was scrutinized to make sure that I could understand what it was about. This is how I’d like to write from now on, so any feedback about the lyrics would be extra-appreciated.
6. Like David Foster Wallace’s essay “A Supposedly Fun Thing I’ll Never Do Again,” the lyrics deal with the dark side of resort culture (employees sick of plastered-on smiles, heart-attack victims washing up on the shores of all-inclusive resorts, etc.).
7. The chorus rips off three songs at once. They are, in descending order of theft-size, “Victim of Love” by the Eagles, “Finally I’m Yours” by Andy Pratt, and “Martha My Dear” by the Beatles.
8. Similarly, the background vocal at 2:53 is lifted from “Soul Sister” by Allen Toussaint.
9. While I conceived of this song a few months ago, it was probably M.I.A. who inspired me to do it now, via her new song “Hussel”: “Hustle hustle hustle / grind grind grind / Why has everyone got hustle on their mind?”
10. The Cubs are in the playoffs!!!!
11. We joined Netflix this week. So far the best movie of the experience has been “The Thin Blue Line”, an Errol Morris documentary about a wrongly-accused cop-killer from Dallas. With a creepy score by Philip Glass.